temple quote

Upon deciding to pursue a creative career path, I started encountering the following concept A LOT, from my peers, colleagues, teachers, mentors, heroes:

We creatives are visual thinkers. 

I remember hearing a professor say this to me when I was a college freshman, sitting in an intro level Computer Graphics class.  It made my stomach drop. I wasn’t a visual thinker! I thought in words all the time! I LOVED to read, and didn’t need pictures to enjoy novels… My inner monologue was definitely word-based, not picture based. Temple Grandin talks about the amazing ways in which visual thinkers are able to process and experience the world and how that helps them come up with the most fantastic visual solutions to problems of all kinds.

Would I ever be worth anything as a designer, if I didn’t identify as a visual thinker?

Here’s the thing. Some people are born visual thinkers. Some people are born verbal thinkers. And most people are born somewhere in the middle. Your VISUAL THINKING cortex (I’m a scientist, you guys) is a muscle. The more you exercise it, the more it will grow.

Visual Kelsey Brain has been growing over the past several years. In fact, I think it’s crowding out Verbal Kelsey Brain. These days, I can’t tell someone how to spell a word unless I trace it in the air in front of my face like  a Scripps kid. If something’s not in chart form…. I need it to be. But all for the ultimate mission of being a better visual communicator.

So I’ll keep exercising this muscle. I’ll never be a Temple Grandin, not even close. But in striving to learn to think visually, “we creatives” (I’m comfortable saying this now), DO need to be visual thinkers. It’s just a matter of process, time, and growth.

I've had a bunch of  collages hanging up in a local restaurant for a couple months, and yesterday I got to bring them home. I basically created them in a two-week frenzy of metallic paint, construction paper, and glue, which had two implications: 1- I was in such a rush, that I had no time to filter myself, and 2- I delivered all thirteen pieces basically immediately after finishing them, so I haven't seen them in eight weeks. Some, as you'd imagine, are no good. But some I really like! So this morning I hung a few in the kitchen. Who knows if they'll stay up, but it's kind of nice to be able to see them as a frequent visual reminder of what's been in my brain lately. Also in this picture are five articulated animals by Julianna Swaney; a framed page (sorry for the glare) from one of my favorite picture books, Mama Do You Love Me; a photo I got from my incredibly talented photographer friend Gustav Hoiland; and two greeting cards- one from Nick's aunt, with an illustration of a white stag, and one from the incredible Molly Costello. I swear not EVERY wall in my house is so heavily weighted to MY work... but it's fun to have it up.

I've thought idly about purchasing a graphics tablet for a long time, but I never made the move until a couple of weeks ago. In the spirit of exploration, I've been trying (my best, anyway) to explore all kinds of image-making... collage, gouache, watercolor, digital... And digital illustration can only go so far without a graphics tablet! At least, as long as you want your stuff to still look drawn by hand. I totally rely on that, as I've never been a great minimalist. I'm pretty messy. So hand drawing it is!   Wow, off track. So I ordered a Wacom Intuos 5 tablet, and it arrived on Thursday. Cue me spending all day every day since them glued to the thing. It's so fun to use, and despite being a kind of weird adjustment in terms of calibrating my brain (you have to draw on the tablet but keep your eyes on the screen, waah!), I think this is going to be a major part of my work from now on. The BEST thing about drawing directly into Photoshop is that there's really no excuse not to make color part of the piece from the very beginning.   I'll still be working traditionally, too. And I'd like to find new fun ways to combine traditional and digital. I'm a little concerned my work is going to start looking too much like a lot of illustrators' work already out there- I think the Photoshop brushes on their own impart so much style that maybe my own voice is already getting a bit lost in them. Then again, I've only barely started learning to use tem.

“My mom, when she would take me to the mall when I was a little kid, would always tell me, “If you get separated from me, you stay put and I will scour the mall for you. Because if you don’t do that… if you keep looking for me while I keep looking for you, we can theoretically never find each other.’ … I often think of it, when I think to myself, ‘What am I supposed to do next in my career? Is this joke funny? Should I do one that I think other people are going to think is funny, that I don’t think is very funny?’ The answer is always follow your bliss. Always follow your bliss. Find your voice. Shout it from the rooftops until the people who are looking for you find you. Stay put.”

-Dan Harmon at XOXO fest, via Max Temkin

ImageIn 2006, my beloved art teacher took my classmates and I on a trip to Chicago where, at the AIC, I encountered the work of Sally Mann for the first time. I instantly fell in love with what felt to me like incredibly poignant and honest views of childhood. The work, to me, spoke “FIERCE” in the oldest, least Project Runway sense of the word. Mann’s dramatic, high contrast compositions, careful staging, and sense of light spoke to the biggest small moments and smallest big moments in her family’s life.

Controversy has surrounded this collection from the outset, but I feel unequivocally enamored with these photos, and now, seven years later, I still come back to this work frequently. To my heart, these images are the embodiment of humanism and feel tender, sweet, painful, all at once.

Many more of Sally Mann’s family photographs, including my all-time favorite, after the jump.

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First, let me say- I have neglected to post a pattern for Pattern Fridays this week! I was not intending on slipping up this much, of course. In fact, I’ve had a hard time setting aside time for patterns since my mind has been so occupied with children’s work! I’m finishing up the MCAD Children’s Book Illustration class I’ve been taking this week (taught by the lovely and talented Carrie Hartman, and by the way, I recommend this class times one billion to anyone interested in narrative illustration). And I’m starting to put together a children’s-specific portfolio. So patterns, needless to say, have taken the back burner. But there’s no reason I can’t spend a few weeks on children’s-oriented pattern work. So I will HOPEFULLY be posting some kid friendly pattern designs this week. Fingers crossed- and maybe I can still keep up in the grand scheme of things.

Now, enough about me. Let’s talk about these immaculate place settings and accessories by Back Bay Pottery Studio. Back Bay Pottery is headed up by Christine Silbaugh and produces all kinds of handcrafted jewelry, notions, home accessories, and MY personal favorite, place settings and dishware. We have a couple of handmade pottery pieces in our cabinets, and they are predictably the ones we reach for anytime they’re available (aka clean). There’s a peaceful energy in handmade pottery, and it’s amazing to be able to access that in the use of everyday functional objects. I know Boyfriend and I would both LOVE to be able to add more handcrafted pottery to our collection, and someday when it’s within our budget I am sure we will. In the meantime, I’ll fawn over these from a distance. Mint/aqua glaze, and the dotted embellishments, plus a sturdy construction and cool shapes… makes for an incredible aesthetic that would completely make a gorgeous table.

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